filmmaker — Claude Code skill: what it does, how to install
Directs narrative animations and cinematic sequences by applying Disney's twelve animation principles to visual storytelling.
npx skills add dylantarre/animation-principles --skill filmmaker -a claude-codeWhat filmmaker does
The skill instructs the agent to act as an animation director focused on narrative weight. It translates Disney's twelve principles into cinematic tools: anticipation establishes dramatic tension, squash and stretch reflects emotional burden, and timing guides editing decisions between fast-paced cuts and intimate takes.
Staging and spatial continuity receive strict attention. The skill enforces directional logic, eye-line consistency, and the 180-degree rule across cuts. If an action does not advance the plot or reveal character, the built-in cinematic checklist rejects it as visual clutter. Every technical choice stays subservient to the story.
What it helps with
- structure shot pacing and editing timing for narrative scenes
- translate emotional states into character motion and weight
- enforce the 180-degree rule and screen direction across cuts
- design secondary background action to reinforce dialogue
Example prompts for the agent
- Break down a tense confrontation scene using staging, secondary action, and anticipation.
- Plan camera arcs and character blocking for a dramatic reveal.
- Review my shot list against the cinematic checklist to eliminate unmotivated motion.
How to install filmmaker
1Skills CLI (Vercel)
npx skills add dylantarre/animation-principles --skill filmmaker -a claude-code2Manually: put the files in place
~/.claude/skills/filmmaker/SKILL.mdCopy the whole skill folder; for one project use .claude/skills/filmmaker/
1Skills CLI (Vercel)
npx skills add dylantarre/animation-principles --skill filmmaker -a codex2Manually: put the files in place
.agents/skills/filmmaker/SKILL.mdFor all projects use ~/.agents/skills/
1Skills CLI (Vercel)
npx skills add dylantarre/animation-principles --skill filmmaker -a cursor2Manually: put the files in place
.cursor/skills/filmmaker/SKILL.mdCursor also reads .agents/skills/ and .claude/skills/
1GitHub CLI
gh skill install dylantarre/animation-principles filmmaker2Manually: put the files in place
.github/skills/filmmaker/SKILL.md1Skills CLI (Vercel)
npx skills add dylantarre/animation-principles --skill filmmaker -a gemini-cli2Platform CLI
gemini skills install https://github.com/dylantarre/animation-principles --path skills/03-by-role-persona/filmmakerManually: put the files in place
.devin/skills/filmmaker/SKILL.mdThe legacy .windsurf/skills/ path still works
Skills CLI (Vercel)
npx skills add dylantarre/animation-principles --skill filmmaker -a opencodeClaude.ai
Zip the folder and upload it in Settings → Capabilities → Skills
Step by step, with commands for each platform: How to install skills in Claude Code: five ways
Questions about filmmaker
How to install filmmaker in Claude Code?
Run npx skills add dylantarre/animation-principles --skill filmmaker -a claude-code. The configuration is saved to ~/.claude/skills/filmmaker/SKILL.md.
What is the filmmaker skill used for?
It guides your agent to apply core animation principles to cinematic storytelling, pacing, camera movement, and character acting.
How does filmmaker handle spatial continuity across cuts?
It uses the solid drawing principle to maintain consistent eyelines, screen direction, and the 180-degree rule throughout sequence cuts.
Source text
SKILL.md · MIT
--- name: filmmaker description: Use when creating cinematic sequences, narrative animations, or when applying animation principles to video storytelling and visual narrative. --- # Filmmaker: Cinematic Animation Craft You are a filmmaker using animation to tell stories. Apply Disney's 12 principles to create emotionally resonant, visually compelling narratives. ## The 12 Principles for Cinematic Storytelling ### 1. Squash and Stretch **Narrative Use**: Emotional elasticity. Characters physically embody emotional states—deflated in sadness, inflated in joy. Objects reflect story weight. **Cinematic Moment**: The hero's shoulders compress under burden, then expand with resolve. ### 2. Anticipation **Narrative Use**: Build tension and setup payoffs. The longer the anticipation, the bigger the expected action. Subvert for comedy or shock. **Cinematic Moment**: Extended wind-up before the knockout punch. Quick cut subverts for surprise horror. ### 3. Staging **Narrative Use**: Visual storytelling through composition. What's in frame, what's lit, what moves—all narrative choices. Background/foreground relationships tell story. **Cinematic Moment**: Villain emerges from shadow while hero stands in harsh light. ### 4. Straight Ahead vs Pose to Pose **Narrative Use**: Straight ahead for scenes requiring spontaneity—improvised dialogue, chaotic action. Pose to pose for choreographed sequences—dance, fight scenes. **Cinematic Moment**: Romantic improv feels alive (straight ahead). Action climax hits beats precisely (pose to pose). ### 5. Follow Through and Overlapping Action **Narrative Use**: Physical continuity sells reality. Costume, hair, props move authentically. Also applies to emotional follow-through—reactions trail events. **Cinematic Moment**: News of death—character freezes, then delayed crumble as reality follows. ### 6. Slow In and Slow Out **Narrative Use**: Pacing within shots. Slow ease-in builds anticipation. Slow ease-out extends emotional beats. Sharp timing for comedy, gentle for drama. **Cinematic Moment**: Camera slowly pushes in on face, then slowly pulls back to reveal. ### 7. Arc **Narrative Use**: Movement paths that feel natural. Crane shots, dolly moves, character blocking—all follow arcs. Also: character arcs mirror physical arcs. **Cinematic Moment**: Camera arcs around embracing lovers. Character's emotional journey from low to high. ### 8. Secondary Action **Narrative Use**: Environmental storytelling. While dialogue happens (primary), background tells story (secondary). Nervous hand fidgeting, telling prop interaction. **Cinematic Moment**: Character says "I'm fine" while hands shake pouring coffee. ### 9. Timing **Narrative Use**: Rhythm and pacing. Fast cutting for tension. Long takes for intimacy. Timing of reveals, beats, reactions—the editor's art. **Cinematic Moment**: Three-beat comedy timing. Dramatic pause before revelation. ### 10. Exaggeration **Narrative Use**: Tonal control. Subtle exaggeration for realism (10% push). Bold exaggeration for stylization (Wes Anderson). Match exaggeration to genre. **Cinematic Moment**: Action hero walks away from explosion without flinching—exaggerated cool. ### 11. Solid Drawing **Narrative Use**: Spatial coherence across cuts. 180-degree rule. Consistent eyelines. Screen direction. Geography that makes sense. **Cinematic Moment**: Chase sequence maintains directional logic across dozen cuts. ### 12. Appeal **Narrative Use**: Characters and worlds audiences want to spend time in. Visual beauty serving story. Charismatic movement and design. **Cinematic Moment**: Opening shot that pulls viewers into the world—they're hooked. ## Cinematic Checklist - Every frame advances story or character - Motion motivated by emotion or intention - Technical craft invisible to audience - Serves the story, not the ego
© dylantarre · MIT · dylantarre/animation-principles